The quick brown fox jumps over the lazy dog
Free font
Outfit
A free alternative to Brandon Grotesque.
About Outfit
Outfit is a geometric variable sans by Rodrigo Fuenzalida and Smich Smanloh, released in 2021 and commissioned specifically as a brand-building typeface. Round geometric bones, squared rather than rounded terminals, and nine weights from thin to black in a single file — the squared finish gives it a sharper, cooler feel than the warmer geometrics it otherwise resembles.
Its brief points it straight at Nexa's territory: logos, landing pages, and display headlines. The proportions run close to Brandon Grotesque's, though the squared terminals trade away some of Brandon's warmth, and at display sizes it hits Google Sans's friendly product-brand tone almost exactly. With the full weight range in one variable file it works as a system font as readily as a headline face — a reasonable default when a product needs geometric branding it can also ship in the interface.
- Designer
- Rodrigo Fuenzalida / Smich Smanloh
- Released
- 2021
- Available at
- Google Fonts →
Outfit is also a free alternative to…
- Brandon Grotesque → Outfit is a clean geometric variable font with proportions close to Brandon's. Terminals are squared rather than rounded — sharper feel, less warmth.
- Google Sans → A rounded geometric variable family that hits Google Sans's friendly, product-brand tone almost exactly at display sizes. Nine weights in one file make it an easy system font.
- GT Walsheim → An evenly weighted geometric sans with a wide variable axis, well suited to logos and large headings. It's more uniform and less idiosyncratic than Walsheim, but the clean circular geometry makes it a dependable substitute for branding work.
- Insignia → A clean monoline geometric with perfectly circular rounds and straight stems, giving the same constructed clarity as Insignia in a contemporary, friendlier form. It lacks the cross-strokes and sharp apexes, so use it where you want Insignia's geometry without its eighties attitude.
- Neou → A contemporary geometric sans with perfectly round bowls and a variable weight range from Thin to Black. It matches Neou's circular construction while reading cleaner at text sizes, and its Bold and Black weights are a solid substitute for Neou Bold in logos.
- Nexa → Commissioned as a brand-building typeface, so it targets exactly Nexa's home turf — logos, landing pages, and display headlines with round geometric bones. Clean variable weight range from thin to black.
- PP Mori → The closest free stand-in — an even, monoline geometric sans with the same restrained construction and tall x-height. Variable weight axis and neutral forms make it the first thing to reach for when you want PP Mori's minimalist feel without the license.
- TT Lakes → A modern geometric sans built for branding and interfaces, with nine weights and a variable axis. It shares TT Lakes' neutral, technological character and works for the same identity and web jobs. Outfit has a larger x-height and more open, contemporary proportions, and it offers no narrow widths for tight headlines.
- Uber Move → An even, monoline geometric with a full variable weight range, close to Uber Move's clean display construction. Slightly more uniform and less quirky in its details, which makes it dependable for large lockups.
- Futura Now → A branding-oriented geometric sans with round bowls, a wide weight range and a variable axis, aimed at the same logo and identity work Futura Now targets. It is friendlier and more rounded than Futura, with less of the sharp 1920s austerity, so it reads as a soft cousin rather than a direct substitute.
- Acherus Feral → A geometric sans built from the same circle-and-stem logic with crisp, unrounded terminals, so it lands close to Acherus Feral's sharpened look in headlines. Outfit has a single italic-free axis and a slightly wider, more display-leaning set, so for long text you give up the paired italics.
- Crossten Soft → A clean geometric sans with near-circular rounds and a single-storey a, spanning thin to black. It shares Crossten Soft's compact geometric proportions and broad weight axis, but its corners are crisp, so it reads slightly cooler and more technical in headlines.
- Mark Pro → A contemporary geometric sans with a tall x-height, open apertures and nine weights, landing close to FF Mark's modern, brand-oriented register. Its forms are slightly softer and more rounded, with fewer historical references, so it reads friendlier and less strict.
- TT Commons Pro → A clean geometric sans with a full Thin to Black weight axis, making it a good stand-in for TT Commons Pro display and heading use. Its construction is more strictly circular and the x-height a little smaller, so long text feels less even than the paid original.
- TT Commons → A geometric sans drawn with near-monoline strokes and a tight, modern feel that sits close to TT Commons in headlines and short text. Its forms are a little more purely circular and its single-weight axis is narrower than the Pro family, but the register is the same.
- Futura 100 → A clean modern geometric with near-circular bowls and even stroke weight, giving the same Futura-like clarity in branding and interfaces. It is variable, with nine weights. Its x-height is larger and its letterforms simpler, so it reads more contemporary and less historical than Futura®100.
- TT Firs Text → A purely geometric sans with circular bowls and simple, even strokes, matching the geometric skeleton that TT Firs Text inherits from TT Firs Neue. It is more display-leaning and less softened for text, so it works best for headings alongside a quieter body face.
- Galano Grotesque → A modern geometric sans with round bowls and even strokes in nine weights. It has the same contemporary, softened take on the Futura model. It is lighter on detail and has no italics, so it suits headlines and brand work better than long text.
Display + body that work together
Quiet type that does the work
Two thousand years of letterforms boil down to a handful of decisions — width, weight, proportion. Pick a pair you trust, and let the rest take care of itself.
The shape of a working week
Crisp, even strokes give the display its punch. Quiet serifs underneath stay readable across thousands of words — used together by editors at the kind of paper that still prints corrections.