The quick brown fox jumps over the lazy dog
Free font
Cormorant SC
A free alternative to Amagro.
About Cormorant SC
Cormorant SC is the small-caps cut of Christian Thalmann's Cormorant, released in 2015 in five weights with the family's delicate high-contrast garalde detailing intact. Setting capitals against small capitals gives it an engraved, formal texture across a line, though the strokes carry Renaissance modulation rather than the even monoline of a true engraver's face.
That texture puts it within reach of both Copperplate Gothic and Trajan Pro. It sits farther from Copperplate's engraved monoline — the contrast is too refined for a literal match — but produces the same caps-and-small-caps color that upscale branding and invitations depend on. Against Trajan it is the closer of the two, detailed finely enough to hold up in display headlines. Keep it large: the hairlines thin out quickly once the setting drops toward text size.
- Designer
- Christian Thalmann
- Released
- 2015
- Available at
- Google Fonts →
Cormorant SC is also a free alternative to…
- Amagro → A small-caps cut of Cormorant, a high-contrast Garamond-inspired display serif with needle-sharp serifs and pointed terminals. The contrast and sharpness match Amagro's edge, though Cormorant SC is lighter and more refined where Amagro is sturdier and more inscriptional in construction.
- Copperplate Gothic → The small-caps cut of the Cormorant family in five weights, giving you Copperplate's caps-and-small-caps texture with a refined garalde flavor. Its delicate contrast is farther from the engraved monoline, but it excels for upscale branding and invitations.
- Trajan Pro → The small-caps subfamily of Christian Thalmann's Cormorant. Higher contrast and more refined detailing than Marcellus SC — closer to the elegance of Trajan at display sizes, especially in headline use.
- Cresci Exemplar Pro → A small-caps cut of Christian Thalmann's Cormorant, a Garamond-derived display face with high contrast and sharp, elegant serifs. It brings Renaissance refinement rather than Roman stone, which echoes Cresci's calligraphic origins, but the thinner hairlines and taller proportions make it feel more bookish than monumental at large sizes.
- PF Monumenta Pro → Christian Thalmann's Cormorant is a Garamond-inspired display serif with hairline-sharp serifs and dramatic contrast. The small-caps cut delivers an all-caps setting that feels as refined and elegant as Monumenta, but the letterforms are Renaissance rather than inscriptional, so they read as print, not stone.
Display + body that work together
Headlines that read at a glance
The display sets the register; the body follows through. When both halves of a pair pull in the same direction, the design disappears and the words come forward.
Editorial · Modern Cormorant SC + Public Sans
A grammar of empty space
Crisp, even strokes give the display its punch. Quiet serifs underneath stay readable across thousands of words — used together by editors at the kind of paper that still prints corrections.
Modern · Editorial Geist + Cormorant SC