Georgia vs Clarendon

A screen-era transitional serif against the original bracketed slab. Georgia was drawn by Matthew Carter for Microsoft in 1993 and released in 1996 to stay legible at small sizes on low-resolution monitors, while Clarendon dates to 1845 at Robert Besley's Fann Street Foundry in London and was built for emphasis and display work. Both share a large x-height and low stroke contrast, but they belong to different centuries and different jobs.

Georgia is a commercial font, so it is shown here in Gelasio, its closest free alternative. All free alternatives to Georgia → Clarendon is a commercial font, so it is shown here in Roboto Slab, its closest free alternative. All free alternatives to Clarendon →

Type in either row to preview both
The quick brown fox jumps over the lazy dog
The quick brown fox jumps over the lazy dog
How they differ
Which to pick
Georgia

Reach for Georgia for long-form reading on screen, article bodies, and anywhere you need a dependable serif that is already installed on nearly every machine.

Clarendon

Reach for Clarendon for headlines, posters, packaging, and bold emphasis where a sturdy, vintage slab voice matters more than small-size body text.