Futura vs Eurostile

Two commercial sans-serifs from opposite ends of the mid-century modern era. Paul Renner's Futura (Bauer, 1927) builds its letters from near-perfect circles, triangles, and squares, while Aldo Novarese's Eurostile (Nebiolo, 1962) grew out of the caps-only Microgramma and squares every curve off into a rounded rectangle, which is why one reads as Bauhaus and the other as space-age.

Futura is a commercial font, so it is shown here in Jost, its closest free alternative. All free alternatives to Futura → Eurostile is a commercial font, so it is shown here in Michroma, its closest free alternative. All free alternatives to Eurostile →

Type in either row to preview both
The quick brown fox jumps over the lazy dog
The quick brown fox jumps over the lazy dog
How they differ
Which to pick
Futura

Reach for Futura when you want timeless geometric modernism that works in both text and display, from film titles and editorial layouts to minimalist brand identities.

Eurostile

Reach for Eurostile when you want a technical, futuristic, or automotive feel in headlines, badges, and logotypes, and you are willing to license it.