Times New Roman vs Garamond
Two of the most familiar serifs in the world, and two of the oldest ideas in type. Times New Roman is a 1932 newspaper face from Monotype, drawn by Stanley Morison and Victor Lardent to pack crisp, economical text into narrow columns, while Garamond is a family of old-style revivals tracing back to the 16th-century Parisian punchcutter Claude Garamond, built for the unhurried pace of book pages.
Times New Roman is a commercial font, so it is shown here in Tinos, its closest free alternative. All free alternatives to Times New Roman → Garamond is a commercial font, so it is shown here in EB Garamond, its closest free alternative. All free alternatives to Garamond →
- Times New Roman was commissioned by The Times in 1931 and modelled on Plantin, with a high x-height, short descenders, and a relatively condensed width tuned for tight newspaper linespacing.
- Garamond's old-style forms have a low x-height, long ascenders and descenders, a small-eyed 'e', and a diagonal stress, which gives it a lighter, more open texture on the page.
- Times New Roman has sharpened stroke contrast for a crisp image on newsprint, while Garamond keeps limited but clear contrast that feels calmer at book sizes.
- 'Garamond' is not one font but many revivals: Monotype Garamond (based on Jean Jannon's work) ships with Microsoft Office, Adobe Garamond and Garamond Premier are Robert Slimbach's interpretations, and EB Garamond is a free open-source version.
- Both are proprietary: Times New Roman is licensed from Monotype and bundled with Windows, and Monotype or Adobe Garamond need a paid license or subscription outside the software they ship with, so licensing cost is a factor for web use.
Reach for Times New Roman when you need dense, space-efficient body text with a neutral, institutional tone, such as reports, academic manuscripts, and anything that must look conventional.
Reach for Garamond for long-form reading on paper or large-size editorial pages, where its open, elegant old-style forms give books, essays, and literary brands a classic warmth.